Remembering Hollywood Park - Edward “Kip” Hannan and the Hollywood Park archive
By Ed Golden
In an age of “Races Without Faces,” Edward Kip Hannan is a renaissance man.
Kip Hannan outside of UCLA’s Royce Hall
Not to be confused with an anarchist bent on destroying history’s truths, Hannan is an archivist, with an ethos dedicated to preserving timeless treasures and ensconcing them in pantheons for future generations.
With the artistic and obdurate passion of a Michelangelo, when Hollywood Park closed forever on Dec. 22, 2013, like a man possessed with an oblation, Hannan knew there was “gold in them thar hills” and dug in like he was assaulting the Sistine Chapel.
Far from a fool and capitalizing on today’s applied sciences, Hannan has successfully transitioned through more than four decades, surviving—yea, overcoming—a concern once epitomized by Albert Einstein who said: “I fear the day that technology will surpass our human interaction. The world will have a generation of idiots.”
Hannan made it his mission to rescue archives from the Inglewood, Calif. track that opened 75 years earlier on June 10, 1938. The Hollywood Turf Club was formed under the chairmanship of Jack L. Warner of the Warner Brothers film corporation.
Hollywood Park Opening Day and Closing Day programs.
Among the 600 original shareholders were many stars, directors and producers of yesteryear from movieland’s mainstream, including Al Jolson, Raoul Walsh, Joan Blondell, Ronald Colman, Walt Disney, Bing Crosby, Sam Goldwyn, Darryl Zanuck, George Jessel, Ralph Bellamy, Hal Wallis, Wallace Beery, Irene Dunne and Mervyn LeRoy.
They pale, however, compared to the equine stalwarts that raced at Hollywood Park, which include 22 that were Horse of the Year: Seabiscuit (1938), Challedon (1940), Busher (1945), Citation (1951), Swaps (1956), Round Table (1957), Fort Marcy (1970), Ack Ack (1971), Seattle Slew (1977), Affirmed (1979), Spectacular Bid (1980), John Henry (1981 and 1984), Ferdinand (1987), Sunday Silence (1989), Criminal Type (1990), A.P. Indy (1992), Cigar (1995), Skip Away (1998), Tiznow (2000), Point Given (2001), Ghostzapper (2004) and Zenyatta (2010).
Hannan obviously had his hands full, but thrust ahead undeterred as he soldiered on to digitize Hollywood Park’s entire film/video history of nearly 4,000 stakes races for eventual public access.
It seemed a mission mandated by a higher power.
Hannan, who turns 57 on Jan. 29, was born in Phoenix, Ariz., where his mother and father had come from Brooklyn. Moving to California when he was just two, they lived on the Arcadia/Monrovia border within a couple miles of storied Santa Anita, and left in 1972 for nearby Temple City where Kip has lived ever since.
In 1979, at the tender age of 15, he began working as a marketing aide at Santa Anita under the aegis of worldly racing guru Alan Balch and his fastidious publicity sidekick, Jane Goldstein.
Hollywood Park, 1939.
He was the last employee at Hollywood Park in order to organize archives for digitization and eventual transfer to the UCLA Library, where he began working in late 2014 as videographer and editor. He is still employed there, maintaining the integrity of Hollywood Park film, video, photo and book archives.
Hannan sums up his career in one word: “Fascinating.”
“I had already started collecting music at age 11, in 1975,” Hannan said, “and probably because of this, I associate many life events with the music of the time. I’m sure many people can relate.
“It was at Santa Anita where and when I first met Lou Villasenor, who was already working there and would go on to become a staple of its TV broadcast team—a job he held for nearly 35 years before his death in 2018.
“Lou became one of my best friends and eventually was the one who brought me to Hollywood Park where I was hired to work in its television department in 1986.”
As marketing aides, their tasks were menial and labor intensive, such as removing duplicates from mailing lists, organizing contest entry cards filled out by fans, and other simple office-related duties. After a few years, Hannan was promoted to supervisor.
At Santa Anita in 1982, Hannan met another new hire who became an instant best friend: Kurt Hoover, current TVG anchor whose relaxed and ingratiating on-camera presence is the stuff of network standards. He also is a devoted and skilled handicapper and a successful horse owner.
“We hit it off immediately,” Hannan says.
A couple years later, Hannan left Santa Anita briefly to study television production at Pasadena City College, while also finding time to work at Moby Disc Records in town.
Burt Bacharach and wife Angie Dickinson admire their race horse Apex II in his Hollywood Park stall, 1969.
“I had always been a movie buff, with the original 1933 ‘King Kong’ my inspiration, along with ‘One Million Years B.C., and not just because of Fay Wray and Raquel Welch—although I had crushes on both. It was the dinosaurs and the stop-motion filmmaking and special effects.
“I wanted to get into film somehow but couldn’t afford USC, so the gateway was video/television production, first in high school and then at Pasadena City College.
“It was around this time, summer of 1985, that Santa Anita contacted me out of the blue,” he said. “Knowing I had radio operation training in college, they told me of a radio station in the planning stages that would be an on-site source for racing fans and handicappers broadcasting information throughout the day.
“Nearly doubling my hourly wage from the record store, I jumped at the chance. It was designed and organized by the same company that created the low-power AM radio station that can be picked up near the LAX Airport for flight information; and soon, KWIN Radio AM was created.
“I was the operator/engineer with countless marketing people and handicappers available for on-air hosts and guests. It was at this time I met Mike Willman, the ‘roving reporter’ and program manager of sorts, who gathered interviews on his cassette recorder for us to air.
“On April 23, 1986, Villasenor took me to Hollywood Park where he was program director and graphics operator in its TV department.
“I was fortunate to be there and was in the right place at the right time. They were short of cameramen that day, and word came from Hollywood Park President Marje Everett that many of her personal friends would be attending, including popular celebrities of music, film, television and politics.
“The TV department was to capture ‘Opening Day Greetings’ from them on their arrival. The TV director asked if I could handle the professional portable camera, portable tape deck and tripod. I said yes, gathered up everything, and headed to the Gold Cup Room, avoiding crowded elevators with all that gear.
“It was then I realized my career was moving up, for at that moment, not three steps behind me on the escalator were Elizabeth Taylor and Michael Jackson. As we continued to climb, all I could think of was getting to a phone to tell my folks how my first day went, before it had even started!
Michael Jackson and Elizabeth Taylor, 1986.
“There is one particular snapshot taken in the Gold Cup Room that I cherish. I’m not in the photo but was about six feet ahead of them, walking with my gear like I was on top of the world at age 22.
“I did get Michael Jackson’s autograph later, as miraculously he only had one bodyguard with him that day. At the time, there was not a bigger pop music star on the planet, and it was surreal to see him right before me.
“Even though they both declined to appear on camera for a greeting, it was Elizabeth Taylor who got to me. As I set up my camera gear not 25 feet from where she was sitting (and momentarily alone), she glanced up from the table and looked directly at me with this big smile.
“I literally melted! As I continued to fumble getting the camera onto the tripod, I kept thinking, ‘Dear God, those eyes!’ and I was ready to sign on for husband number seven, as suddenly it had all made sense to me. …
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Remembering - Seattle Slew - 1977 Triple Crown winner
By Ed Golden
All photographs published by kind permission of Hollywood Park archive
Bob Baffert was a young pup of 24, fresh out of college about to make a name for himself training Quarter horses at outposts in Arizona like Sonoita and Rillito when Seattle Slew became the first undefeated Triple Crown winner in 1977.
Forty-one years later, in 2018, Baffert followed suit, deftly leading Justify successfully down racing’s Yellow Brick Road to become only the second undefeated Triple Crown winner in history.
Now 67, the most recognizable trainer on the planet is a two-time Triple Crown winner (American Pharoah in 2015), and had the fates allowed, could have been a four-time winner, save for Silver Charm losing the 1997 Belmont Stakes by a length and Real Quiet by an excruciating nose the very next year in a defeat that smarts to this day.
Still young at heart four decades after he began his career, Baffert has fond memories of Seattle Slew, who became one of racing’s giants despite being purchased for the miniscule sum of $17,500.
“I was 24 and still in college I think, but I saw Seattle Slew win the Derby, the Preakness and the Belmont on TV, even though I wasn’t into watching a lot of Thoroughbred races,” Baffert said. “I was still a Quarter horse guy.
“But when I saw him run, I knew the name, and it was a great name—one that stuck with you.
Seattle Slew in the stable area at Hollywood Park,1977.
“He was a most impressive horse, especially because in the paddock, he looked completely washed out but would run a hole in the wind.”
He would use up so much energy before a race and still destroy the opposition; and that’s a trait he throws (in his bloodlines).
“He ran as a four-year-old at Hollywood Park and got beat, and then I quit watching him because I lost interest after that. But to me, he was one of the greatest horses I ever saw run on YouTube.”
***
The following story is about Seattle Slew: part Seabiscuit, part Secretariat. It was published on May 14, 2002, but is appropriately resurrected here in advance of this year’s altered Triple Crown.
This is an exclusive firsthand interview the author obtained with the late Doug Peterson—a bear of a man who trained Seattle Slew in his four-year-old season and who provided a Runyonesque tale of the horse and those closest to him before his untimely death of an apparent accidental prescription drug overdose on Nov. 21, 2004 at age 53.
Seattle Slew being saddled in the paddock before the Swaps Stakes at Hollywood Park, 1977.
(Reprinted courtesy of Gaming Today)
Great race horses do not necessarily prove to be great stallions.
Citation and Secretariat were champions on the track, but each was a dud at stud. Cigar was a king on the track but fired blanks in the breeding shed. He was infertile.
But one Thoroughbred that succeeded on both fronts was Seattle Slew, who in 1977 became the only undefeated horse to win the Triple Crown.
One of racing’s all-time bargains as a $17,500 yearling purchase, Seattle Slew died last Tuesday in Lexington, Ky., exactly 25 years to the day of his Kentucky Derby triumph. He was 28 and still productive at stud, despite falling victim to the rigors of old age in recent years.
Seattle Slew in the stable area at Hollywood Park,1977.
His stud fee was $100,000 at the time of his death and $300,000 at its apex.
Here was a horse for the ages—the likes of which racing may never see again. Consider this: at two, he broke his maiden in his first attempt, and two races later won the Champagne Stakes; at three, he won the Derby, the Flamingo, the Wood Memorial, the Preakness and the Belmont.
At four, he won the Marlboro Cup, the Woodward and the Stuyvesant. He won the Derby by 1¾ lengths as the 1-2 favorite in a 15-horse field. Overall, the dark bay son of Bold Reasoning won 14 of 17 starts and earned $1,208,726.
Doug Peterson was a naïve kid of 26 when he took over the training of Seattle Slew from Billy Turner, who conditioned him for owners Karen and Mickey Taylor through the Triple Crown.
Now 50, Peterson is a mainstay on the Southern California circuit where he operates a successful, if nondescript, stable. But his memories of the great ‘Slew are ever vivid.
“I got Seattle Slew late in his three-year-old year, after he got beat by J.O. Tobin at Hollywood Park (in the Swaps Stakes),” Peterson recalled. “Billy Turner brought him out here, but he didn’t want to run him. As the horse was getting off the van and they slid up the screen door that was on the top of his stall, it fell down and hit him on the head.
“The day of the race he had a temperature. That’s why he couldn’t make the lead. There was no horse ever going to be in front of this horse, but despite the temperature, they ran him anyway because of all the hype and all the money and all the fans who wanted to see him. That’s what started the disagreement between the Taylors and Turner.”
Peterson got his chance to train Seattle Slew through a stroke of good fortune.
“I was in Hot Springs, Arkansas, sitting on a bucket,” Peterson said. “I was cold and down and out, and this girl—an assistant for another trainer—came by and told me, ‘If you’re going to make it big, you’ve got to go to New York.’ I packed up with two bums and went to New York.
“I got stables at Belmont Park on the backside of Billy Turner, but that was just a coincidence. Turns out, I was in the right place at the right time because Dr. (Jim) Hill was the veterinarian for Billy, and he came to my barn and I asked him to work on a couple of my horses.
“Dr. Hill recognized my horsemanship, and he and Mickey Taylor were buying 15 yearlings. They were going to need two trainers, and this is how the whole thing started. They said Billy would have a string and I would have a string. Well, before the next year, they fired Billy. …